Monday, April 20, 2009

While we're talking about baseball and gambling...

Seeing the preceding picture of Big Papi (David Ortiz) while writing about fantasy baseball and gambling reminded me of my time working at Foxwoods. I used to work in the poker room and the big dude would come to Foxwoods all the time to play blackjack right above me in the Rainmaker section.

Apparently that guy drops some serious cash at the blackjack tables. Word gets around quick when any celebrity is on-site, so one day when I heard he was there I snuck up to the blackjack pit during my lunch break and scouted him out from a distance.

If you think he looks big on TV...you have no idea. He's a behemoth. I wish I could've talked to him, but we were expected to be professional and refrain from harassing celebrities if we valued our jobs.

How to make a not-so-quick $100


Ah, baseball season. It is during this time of year that I channel my inner dork and engage in a ridiculous months-long marathon known as fantasy baseball, which may not quite fit the bill as arts, but it is surely entertaining, at least for me. Seriously, it's more fun than actually following the games themselves.

There's something magical about beating up on your friends and coworkers and bosses in a virtual showdown and hoarding as many statistics as you can for yourself. But like any good drug there's a downside, too. In addition to fretting about papers and exams, I now get to worry about injuries, slumps, DNP (did-not plays), Triple-A demotions and free-agent pickups.

In a competitive (read: money) league, you almost have to manage your roster daily to make sure all your players are in good health and getting playing time. You're also considering trades, poring over massive stat sheets for a competitive edge, and just generally losing your mind. The whole thing can get really anal.

Luckily, I will be released from this hellish existence by October. Of course football season will have started by then. After finishing third last year in the office fantasy football league--and collecting a nice $100 prize--you can bet I'm determined to go all the way to top.

At least in football they only play once a week...

Weirded Out

I went to another show this weekend in New London, this time at New London High School. The occasion was an effort to "save the 82nd Drum Corp" or something like that. It might have been the 73rd Drum Corp or the 75th Bugle Corp, but naturally I wasn't paying much attention. The event was sponsored by the local radio station Q105, among others.

The fundraiser charged me $10 at the door and it turned out to be a complete waste of money-- I only stayed for about forty minutes after finding out that the band I'd come to see had played before I arrived due to a last-minute rearranging of the slotting.

I did hear two lousy bands, and that was enough. The first looked promising as they took the stage; it featured seven members, including a trumpet, saxophone, a male and female singer, and the standard guitar/bass/percussion configuration. A jazz outfit, I guessed. I was half-right. They opened with a long jazzy tune that actually sounded quite good until the male singer opened his mouth and started rapping. Epic fail. The female singer had a solo about halfway through, which proved a nice respite from the rapping. The group played another jazz/rap abomination after the first song and then packed it up to decidedly lukewarm applause.

The second band called themselves the "Weird Beards" and I knew from the start I wasn't going to like them. They were a four-piece group with a creepy old hippie 50-something playing an industrial-sized cello. After opening with a bizarre pot-inspired tune that had the singer making farm animal noises, they proceeded to sing a rather creepy number about a guy stalking some girl at the bar.

I left after the Weird Beards' second song, because clearly this event wasn't going to get any better. So...that was my weekend, or a small part of it anyway.

Tuesday, April 14, 2009

Gone For Great


At the request of the band's frontman Nick Johns, I recently went to go see a show by Gone for good, whom I wrote my Q&A about, at the El N'Gee in New London, and I have to say they were surprisingly good live. Because the vocals sound heavily distorted and doctored on their demo CD, I was expecting the live singing to be sub-par.

I couldn't have been more wrong. Unlike a lot of bands who doll up their lead singer's voice on recordings to mask the fact that they can't sing, Johns' voice sounds as good live as it does on their CD, and is one of those rare voices that seems to jump from the microphone and fill the room. I was hoping to catch a cameo by their horn section, "The Bang," but they only play with the three-piece band once in a blue moon and weren't with them that night.

As Nick mentioned in the Q&A Gone for Good is playing garage pop rock at a time when Indie music is really popular, which is another refreshing aspect of their music. If you're ever around New London and you hear about Gone for Good, know that they're worth seeing.